I guess you have to be a real Peeps freak to take a stab at it. I call it an assault on pizza.
Stories and reviews: food, books, movies, travel, puppies, hair, sex and other girly shit.
Seriously? Your cuteness is hurting me. I can't wait for bring your dog to work day.
The entrance appears to be a shop with a deli counter and packages of dry goods, but in the back is a miniscule bar and seating area. We caught the after-work crowd at about 6 o'clock, which included a bunch of 20 and 30-somethings chatting over tiny plates of food and glasses of red wine. The waitresses, who revealed a hint of Mediterranean in their greetings, were very cordial and attentive. We were seated in very close quarters with another couple, but there was an ample amount of noise in the room that I felt comfortable blabbing at my normal frequency (not much can stop that, I guess).
Since I just learned about an Anthony Bourdain author event in Union Square this coming June, I was like, huh, I should read one of his books. A good friend (who's dating a chef), confessed her love of the feisty/loveable Bourdain and told me she (and her boyfriend) loved Kitchen Confidential (Bloomsbury, 2000). I actually only knew "Tony" from his Travel Channel series, No Reservations, and didn't even realize his writing kicks so much more ass than his show. He's a spectacular writer: the type that writes the way he speaks, but does it like a pro. I squealed when I saw that it was available at our library, picked it up yesterday and haven't put it down. It's a speedy yet savory read that's part autobiography and part how-to guide to cooking, eating, and enjoying a meal at a restaurant, particularly in Manhattan. He touches on all the essentials: why risk is important in eating, why food should be about pleasure, and why we should never abuse garlic with a terrifying contraption known as a garlic press. I'm about 100 pages through and loving it. I can't wait to
read his other books, like The Nasty Bits (Bloomsbury, 2007).
A literary buddy of mine at work suggested Delillo's White Noise (Penguin Classics, 2009), after I told him about my attempt at Mao II (a different recommendation from another literary buddy) that featured amazing prose, but the subject matter was a little too sci-fi for me. I haven't cracked it open yet, but I will. My friend told me it was the best start to reading Delillo. Will do!
library orders to arrive), and I almost decided to finish based on one element: her style. The plot, however, was stupid: a guy from New York goes to a castle in Germany to spend time with his long-lost cousin who used to be a loser but is now a millionaire who's fixing up the castle, and there's a magic lady at the castle who has sex with the guy, and that's as far as I got. The thing that got me was the second story that seems to be simultaneous with the front-story: a man, a relative of the main character and his cousin, is in prisoner, taking a creative writing class. Egan jumps from front to back story in a particular way that leads you to believe the prisoner is actually creating this story about his cousins. The prison chapters were most authentic. And I LOVE Egan's dialogue - she's one of the better contemporary dialogue-ers. Unfortunately, this was a case where I was questioning why I care. There wasn't much reason, so I gave it a go, and decided against it halfway through.